4 Things Backstage Fashion Week Taught Us About Working as a Hairdresser

4 Things Backstage Fashion Week Taught Us About Working as a Hairdresser

By Wes Sharpton

Hairstory sponsored hairdresser Edward Lampley backstage at The Society Archive's debut show, "Dogma." Here's what our stylists learned about teamwork, product minimalism and staying steady when the pressure's real.

Published on September 17, 2026 — 4 min read

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This Fall, Hairstory helped sponsor hairdresser Edward Lampley backstage at The Society Archive's debut runway show, "Dogma."

The Society Archive is a vintage clothing and curated archive brand that showcases all-American mall staples from the '90s and 2000s, think Abercrombie & Fitch, L.L. Bean and Ralph Lauren. Its debut show featured 30 looks built around early-2000s American heritage: relaxed linens, vintage cargo, swimwear and easy separates. Under Edward's creative lead, Hairstory brought in a crew of veteran hairdressers eager for the experience.

Opportunities like fashion week sit close to Hairstory's editorial roots, and they don't happen without our hairdressers. We keep the door open for stylists who want backstage experience and who use our products in their own salons.

What It's Really Like Backstage

Working backstage means sharing space with some of the most talented hairdressers and models in the industry, faces that show up in magazines, digital campaigns and international ad runs. It sounds like a dream, and it is, but it's also completely normal to feel shaky the first time. Here's what our hairdressers want you to know before you get there.

One of the stylists on set, Danielle Sivulich, put it best: being backstage is like spending hours cooking Thanksgiving dinner just to watch it get eaten in minutes. Shows take hours of prep for looks that show for ten. The payoff isn't the applause, it's the work itself.

4 Lessons From Backstage at Fashion Week

  1. Time management is teamwork. When models need diffusing, twists and pin curls all at once, you need as many hands on deck as you can get. Backstage doesn't run on solo effort.
  2. Less is more. Edward's undone, lived-in look came down to two products, not a bag of tricks: Undressed, our salt-free texturizing spray, and Primer, our heat protectant. Everything else was skill.
  3. Wait for direction. If you're second-guessing yourself or need guidance, it's worth pausing a beat for the lead to come to you instead of guessing.
  4. Communication keeps everyone moving. Backstage runs on people, not job titles. One hairdresser found out a model was ready from someone who simply recognized her, not an appointed runner. Anyone might flag the next step, and suddenly you're the one ushering people along.

 

Four hours later, hair and makeup wrapped, the rush settled, a couple rounds of applause, and it was time to pack up. Shows like this are a natural extension of Hairstory's editorial roots, and a reminder of what we're actually building toward: hair that looks like you did nothing to it, even after hours of work behind the scenes.

It's worth the stress. You're part of something bigger than yourself, learning from the people around you and training your eye in real time.

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The information in this article is for educational purposes only and is not intended as medical advice. Always consult a board-certified dermatologist or qualified healthcare provider if you have concerns about your hair or scalp health.

Frequently Asked Questions

  • What is it really like working backstage at a fashion show as a hairdresser?
    Backstage puts you shoulder-to-shoulder with some of the most talented hairdressers and models in the industry, and it's completely normal to feel shaky the first time. Shows take hours of prep for looks that are on stage for minutes, similar to spending hours cooking Thanksgiving dinner just to watch it get eaten in minutes. The payoff isn't the applause, it's the work itself.
  • What are the biggest lessons hairdressers learn from working backstage at fashion week?
    Hairstory's team came away with four main lessons: time management is teamwork, since models need diffusing, twists and pin curls all at once; less is more, as skill matters more than a bag of products; wait for direction rather than guessing when unsure; and communication keeps everyone moving, since backstage runs on people, not job titles.
  • What products did Edward Lampley use for the backstage look at The Society Archive's show?
    Edward Lampley's undone, lived-in look for The Society Archive's debut show came down to just two products: Undressed, a salt-free texturizing spray, and Primer, a heat protectant. Everything else was skill.
  • How do hairdressers get the chance to work backstage at fashion week with Hairstory?
    Hairstory keeps the door open for stylists who want backstage experience and use Hairstory products in their own salons. This fall, that meant sponsoring hairdresser Edward Lampley backstage at The Society Archive's debut runway show, "Dogma," where he led a crew of veteran hairdressers.
  • Why is teamwork so important backstage at a fashion show?
    When multiple models need diffusing, twists and pin curls all at the same time, you need as many hands on deck as possible. Backstage simply doesn't run on solo effort, so time management becomes a team effort rather than an individual one.
  • What was The Society Archive's debut show "Dogma" about?
    "Dogma" was the debut runway show from The Society Archive, a vintage clothing and curated archive brand that showcases all-American mall staples from the '90s and 2000s, think Abercrombie & Fitch, L.L. Bean and Ralph Lauren. The show featured 30 looks built around early-2000s American heritage, including relaxed linens, vintage cargo, swimwear and easy separates.

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